Color Finesse provides accurate luma soft-clipping, as well as color limiting to meet broadcast standards.Ĭolor Finesse provides the monitoring tools you would expect to find in a grading suite, including waveform monitor, vectorscope, histograms, and correction curve displays. Need to match the color in one frame to a color in another frame? Color Finesse provides single-button color matching to provide natural-looking color matches without fiddling.Ĭolor Finesse's 32-bit floating-point color space allows you to make radical changes in color and luma levels without clipping, but before final output you'll need to bring things back into range. Each of the six channels defines a color range based on up to four color samples with settable luma and chroma tolerance, and a range softness control, allowing you to easily isolate colors without harsh edges.Ĭolor Finesse 3's Auto-Color and Auto-Exposure buttons give one-click access to your color correction starting point, eliminating color casts, improper white balance, and establishing your black and white points. Want to change the color of a scarf or punch up a bland gray sky? Color Finesse's six-channel secondary color corrector allows you to isolate up to six separate colors which can be adjusted for hue, saturation, and hue offset. Levels control determine input and output black, white, and gray points. Individually adjustable color channel curves (both RGB and HSL) let you define exactly how color levels will be processed. Flexibility is the key to getting just the look you want, and flexibility is what Color Finesse offers with its myriad controls and tools. Control the overall image, or work with individual color channels. Work in HSL, RGB, CMY, or YCbCr color spaces. Export color correction settings as 3D LUTs in a variety of formats.Ĭontrol the gain, gamma, pedestal, hue and saturation of your images. Highlight Recovery tool provides a visually-pleasing way to recover overbright areas of the image which would normally be clipped.
Waveform monitor, vectorscope, histogram, and tone curve displays. Six channel secondary color correction. Automatic color matching and black, white, and gray balance. However basic customer service and support doesn't meet the standard.- 32-bit floating-point color space for incredible resolution and latitude. I don't intend to malign them in anyway, they are real assets to Adobe and the user community, providing helpful support with a plethora of issues. I'm very grateful to Aldolfo, Todd and all the other Adobe employees who support this and other forums. In contrast, Synthetic Aperture, a smaller company with far fewer resources, responded in minutes to each email. Had he told me to wait several days instead of hours I could have accepted that, a commitment was made and not delivered on.
He took my phone number and email address (again. I was told by the tech support person that they needed time to resolve the issue and he would call me back or contact me with in a few hours.
Color finesse 3 activation serial number#
When I explained the problem with the Color Finesse serial number they seemed to have no idea what I was referring to. Surely once you have these it should be a simple matter to locate the required information in an online database. I was repeatedly asked for my serial number and case number. What was particularly frustrating in this case was the phone call to Tech support – a route suggested by an email from Adobe – that was lengthy and pointless. I do appreciate all the employees that have helped. I'm happy to report that a few moments ago I received an email containing the appropriate serial number.